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(ALS, also known as Lou Gehrig’s disease), which left him almost completely physically paralyzed. (with English subtitles); and Bluebrain Year 7, brief excerpts from an ongoing film project directed by Noah Hutton, which follows neuroscience research around the world, including Henry Markram’s ambitious Blue Brain Project in Switzerland.

In 2009, members of Free Art and Technology Lab, Open Frameworks, the Graffiti Research Lab, and The Ebeling Group communities teamed up to develop an open-source device called The Eye Writer that allowed Tempt One to once again create his art. Maria Luisa Mendonça, 2001) Speakers: Anaheed Al-Hardan, Assistant Professor of Sociology at the American University of Beirut and the Arcapita Visiting Professor of Arab Studies at Columbia University Habib Ayeb, Associate Professor at the University of Paris 8 in Saint Denis, France Mamyrah Dougé-Prosper, Postdoctoral Scholar, Institute of Research on the African Diaspora in the Americas and the Caribbean, CUNY Graduate Center Kamau Franklin, Organizer and Founder of Community Movement Builders, Atlanta, Georgia; former organizer, Jackson Plan, Jackson, Mississippi Soraya El Kahlaoui, doctoral student in sociology, l’Ecole des Hautes Etudes en Sciences Sociales, Paris Maria Luisa Mendonça, Visiting Scholar, Center for Place, Culture and Politics, CUNY Graduate Center Emily Gardner fall in love but struggle as their cultures clash. Living away from their loved ones, both the caregivers and the elderly residents in the nursing home suffer from homesickness. The Filipino caregivers sing a self-mocking song, "No Money, No Honey! With commentary by Noah Hutton, filmmaker, and Benjamin Ehrlich, author of a forthcoming biography of Cajal.

Featuring: - Eduardo Padro, New York State Supreme Court judge (retired) - Sergeant Edwin Raymond, NYPD - Ayana Thomas, formerly incarcerated in the federal prison system - Jennifer Gonnerman (moderator), staff writer at The New Yorker There are 2.2 million people in our jails and prisons; 1 in 115 adults is confined behind bars; our inmate population is four times larger than it was in 1980.

“We Are Witnesses,” is an ambitious short film series that offers a very different sort of calculation: the human cost of locking up so many citizens for so many years.

Sportovní hliníkový chladič je o třetinu širší než standartní sériové chladiče co jsou volně v prodeji, má lepší odvod tepla min. Konec přehřívání motorů, konec prasklým hlavám motorů, dopřejte si na expedici klid a dobře chlazený motor. Kompaktní koš má rozměry 70 x 85 cm s nesloženými bočními rameny.

political leaders of both parties have been tapping into white anxiety, stoking white grievance, and scapegoating people of color for decades to divide and conquer working class voters and shore up political support. and self-determination in Brazil, Morocco, Tunisia, Haiti and the U. In the face of (neo)colonial/(neo)imperial interventions, increased state repression and intensified capital expansion, these grounded struggles shed light on the mechanisms of dispossession as well as cartographies of resistance, solidarity, and transnational connections. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings. and muralist JR teamed up to co-direct this enchanting documentary/road movie.

The film also widens its scope to show how highly charged rhetoric about African-Americans, Latinos, and Muslims fits within a longstanding historical pattern. friends he announces the name of his future son, but the scandalous moniker ignites a discussion that brings the group's past bubbling to the surface - with hilarious, dramatic, and altogether unbelievable results. By forging alternative modes of development that are not predicated on extraction, surplus, or disposability, these movements expand the horizons of how we might imagine and practice new forms of value and social relations to challenge the structures and logics of racial capitalism. Together they travel around the villages of France in JR’s photo truck, meeting locals, learning their stories and producing epic-size portraits of them. adventure, but in its contemporary and invisible role as a buttress of global capitalism. The most recent estimates suggest that around 100,000 people were killed during the war, 12,000 of them children.

This is the story about them—about the day when six young people from six divided cities met and decided to do a performance about their mutual thoughts and beliefs. Followed by a discussion with director Emir Kapetanovic and producer Zana Marjanovic.

intimate portraits of their work, family, and neighborhoods in New York City, the film walks us through Earl’s first day out of prison; captures Carlos’s relationship with his wife and three sons, after nearly 13 years away; and follows Joshua as he returns to work and school, and moves forward from his past.

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